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Post-Production

Edit, Colour, Motion, Sound. All Under One Roof.

The craft work that turns footage into finished work. Editing, colour, motion graphics, and sound, in one room with one schedule.

Editing Colour Motion Sound Design VFX Versioning
Send Us Footage
m15_master_v07.proj
00:01:24:07
24FPS · 4K
00:00
00:30
01:00
01:30
V1
scene_01
scene_02
scene_03
V2
title.gfx
lower3rd
A1
A2
vo_take_3
vo_take_5
MX
music_bed_v2
0:01:24 / 0:01:48 5 tracks · 9 clips
Disciplines

Four crafts. One team.

Editors, colourists, motion designers, and sound engineers working off the same brief, on the same schedule.

Editing

Cutdowns, picture lock, and the rhythm work that makes a piece land. Long-form to six-second cutdowns.

Colour

Primary and secondary grading, look development, and matching across shots and platforms.

Motion Graphics

Titles, lower thirds, infographics, brand element animation. Designed to move with the cut.

Sound

Sound design, mix, dialogue clean-up, and music supervision. Built for the platform it's playing on.

Selected Work

Cuts and grades from the room.

See the full portfolio
Nespresso Edit / Colour
Johnnie Walker Edit / Sound
Idole House Motion / Mix
How we work

Conform to master.

Five steps from raw rushes to delivered files, with checkpoints you actually want to be at.

01

Conform

Footage organised, synced, and prepped. Project structured so every discipline can work cleanly off it.

02

Edit

Story cuts, picture lock, and the iteration rounds that get the rhythm right.

03

Colour

Look established and applied across the cut. Matched and consistent across every shot.

04

Mix

Sound design, dialogue, music. Mixed for spec on whatever platform it's heading to.

05

Master

Final masters, cutdowns, and platform-specific versions exported and delivered to spec.

What we cover

Every craft you'd otherwise hand to four vendors.

Post is a stack of small specialisms. Doing them under one roof means fewer handoffs, faster turnarounds, and a final piece that actually feels coherent.

Editing

Story cuts, broadcast, and short-form versions.

Colour Grading

Look dev, primary, secondary, and shot matching.

Motion Graphics

Titles, end frames, infographics, brand animation.

VFX

Clean-up, comp work, and beauty retouch.

Sound Design

SFX, foley, ambience, and atmos work.

Mix

Stereo, 5.1, and broadcast loudness compliance.

Music

Library sourcing, custom score, and clearance.

Versioning

Cutdowns, aspect ratios, and platform specs.

FAQ

Questions we get asked.

What's a typical turnaround?
Depends on length and complexity. A first cut on a 30-second spot is usually 3 to 5 working days from receiving footage. A long-form brand film takes longer. We'll give you a real timeline once we see the footage and brief.
How many revision rounds do we get?
Three rounds is standard, more if the project calls for it. Each round gets consolidated feedback so we're not chasing notes from four different inboxes.
Do you only edit footage you shot?
No. Plenty of clients shoot with another team and bring us the footage for post. We just need clean rushes, a brief, and any project-specific assets.
What formats do you deliver in?
Whatever you need. Broadcast masters, web specs, vertical cutdowns for social, square crops, audio stems, the lot. Tell us where it's going to live and we'll make sure the export hits spec.
Can you handle music licensing?
Yes. We work with library providers and composers, and we manage the licensing and clearance for any track we put against your work.
Got Footage?

Send us a link and a brief.

A WeTransfer or Frame.io link, what you're trying to make, and where it's going to live. We'll come back with a timeline and a quote.

Send Us Footage
More Services

The rest of the stack.